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The Resource The market logics of contemporary fiction, Paul Crosthwaite, University of Edinburgh, (electronic resource)

The market logics of contemporary fiction, Paul Crosthwaite, University of Edinburgh, (electronic resource)

Label
The market logics of contemporary fiction
Title
The market logics of contemporary fiction
Statement of responsibility
Paul Crosthwaite, University of Edinburgh
Creator
Subject
Language
eng
Summary
"In the twenty-first century, leading publishers are under intense pressure from their conglomerate owners and shareholders to generate growth and profits. This book shows how these pressures have transformed the contemporary novel"--
Assigning source
Provided by publisher
Cataloging source
DLC
http://library.link/vocab/creatorDate
1980-
http://library.link/vocab/creatorName
Crosthwaite, Paul
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
Cambridge studies in twenty-first-century literature and culture
http://library.link/vocab/subjectName
  • Economics and literature
  • American fiction
  • American fiction
  • English fiction
  • English fiction
  • Finance in literature
  • Fiction
  • Literature publishing
  • Literature publishing
  • Financialization
Label
The market logics of contemporary fiction, Paul Crosthwaite, University of Edinburgh, (electronic resource)
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
Part I. The Emergence of Market Metafiction -- Market Metafiction and the Varieties of Postmodernism -- Part II. The Phantasmagorias of Contemporary Finance -- Trading in the As If: Fiduciary Exchangeability and Supernatural Financial Fiction -- "The Occult Logic of 'Market Forces'": Iain Sinclair's Post-Big Bang London -- Part III. The Market Knows -- The Price is Right: Market Epistemology, Narrative Totality, and the "Big Novel" -- Fully Reflecting: Knowing the Mind of the Market in DeLillo and Kunzru -- Part IV. The Moment of Market Metafiction -- Putting Everything on the Table: Markets and Material Conditions in Twenty-First-Century Fiction -- Between Autonomy and Heteronomy: Exchanging Capital in Zink, Cohen, and Heti -- Coda: Basic Income, or, Why Barbara Browning's The Gift is Not a Gift
Control code
ssj0002255764
Dimensions
unknown
Extent
1 online resource (pages cm)
Form of item
online
Governing access note
Access restricted to subscribing institutions
Isbn
9781108499569
Lccn
2019029338
Specific material designation
remote
System control number
(WaSeSS)ssj0002255764
Label
The market logics of contemporary fiction, Paul Crosthwaite, University of Edinburgh, (electronic resource)
Publication
Bibliography note
Includes bibliographical references and index
Contents
Part I. The Emergence of Market Metafiction -- Market Metafiction and the Varieties of Postmodernism -- Part II. The Phantasmagorias of Contemporary Finance -- Trading in the As If: Fiduciary Exchangeability and Supernatural Financial Fiction -- "The Occult Logic of 'Market Forces'": Iain Sinclair's Post-Big Bang London -- Part III. The Market Knows -- The Price is Right: Market Epistemology, Narrative Totality, and the "Big Novel" -- Fully Reflecting: Knowing the Mind of the Market in DeLillo and Kunzru -- Part IV. The Moment of Market Metafiction -- Putting Everything on the Table: Markets and Material Conditions in Twenty-First-Century Fiction -- Between Autonomy and Heteronomy: Exchanging Capital in Zink, Cohen, and Heti -- Coda: Basic Income, or, Why Barbara Browning's The Gift is Not a Gift
Control code
ssj0002255764
Dimensions
unknown
Extent
1 online resource (pages cm)
Form of item
online
Governing access note
Access restricted to subscribing institutions
Isbn
9781108499569
Lccn
2019029338
Specific material designation
remote
System control number
(WaSeSS)ssj0002255764

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