Shakespeare, William, 1564-1616 -- Dramatic production
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The concept Shakespeare, William, 1564-1616 -- Dramatic production represents the subject, aboutness, idea or notion of resources found in Bates College.
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Shakespeare, William, 1564-1616 -- Dramatic production
Resource Information
The concept Shakespeare, William, 1564-1616 -- Dramatic production represents the subject, aboutness, idea or notion of resources found in Bates College.
- Label
- Shakespeare, William, 1564-1616 -- Dramatic production
- Authority link
- http://id.loc.gov/authorities/subjects/sh85120938
- Date
- 1564-1616
130 Items that share the Concept Shakespeare, William, 1564-1616 -- Dramatic production
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- A Macbeth production
- A Shakespeare workbook
- A book for Shakespeare plays and pageants : a treasury of Elizabethan and Shakespearean detail for producers, stage managers, actors, artists, and students
- A lifetime with Shakespeare : notes from an American director of all 38 plays
- Acting Shakespeare
- Acting Shakespeare
- Acting and action in Shakespearean tragedy
- Action is eloquence : Shakespeare's language of gesture
- Antony and Cleopatra
- As you like it
- Author's pen and actor's voice : playing and writing in Shakespeare's theatre
- Becoming Shakespeare : the unlikely afterlife that turned a provincial playwright into the bard
- City/stage/globe : performance and space in Shakespeare's London
- Colorblind Shakespeare : new perspectives on race and performance
- Costume in the drama of Shakespeare and his contemporaries
- Directing Shakespeare : a scholar onstage
- Directing Shakespeare in America : historical perspectives
- Double Shakespeares : emotional-realist acting and contemporary performance
- Elizabethan drama and the viewer's eye
- Elizabethan stage conventions and modern interpreters
- Exit, pursued by a badger : an actor's journey through history with Shakespeare
- Female "Othellos"
- Free Shakespeare
- Freeing Shakespeare's voice : the actor's guide to talking the text
- From performance to print in Shakespeare's England
- Gender in play on the Shakespearean stage : boy heroines and female pages
- Going to Shakespeare
- Hamlet--the Shakespearean director
- How to enjoy Shakespeare
- Imaginary audition : Shakespeare on stage and page
- Impersonations : the performance of gender in Shakespeare's England
- In love with Shakespeare : a literary memoir
- Instant Shakespeare : a proven technique for actors, directors, and teachers
- Intermedial Shakespeares on European stages
- Macbeth onstage : an annotated facsimile of Glen Byam Shaw's 1955 promptbook
- Ms- Directing Shakespeare : women direct Shakespeare
- Much ado about nothing
- New sites for Shakespeare : theatre, the audience, and Asia
- North American players of Shakespeare : a book of interviews
- On directing Shakespeare : interviews with contemporary directors
- On directing Shakespeare : interviews with contemporary directors
- Pageantry in the Shakespearean theater
- Passing strange : Shakespeare, race, and contemporary America
- Performances of mourning in Shakespearean theatre and early modern culture
- Performing Shakespeare : [preparation, rehearsal, performance]
- Performing transversally : reimagining Shakespeare and the critical future
- Playing Shakespeare
- Playing Shakespeare
- Producing Shakespeare
- Recovering Shakespeare's theatrical vocabulary
- Reimagining Shakespeare for children and young adults
- Remaking Shakespeare : performance across media, genres, and cultures
- Rescripting Shakespeare : the text, the director, and modern productions
- Richard III : a critical reader
- Roar of the canon : Kott and Marowitz on Shakespeare
- Romeo and Juliet
- Romeo and Juliet
- Scenic form in Shakespeare
- Scenic form in Shakespeare
- Secrets of acting Shakespeare : the original approach
- Shakespeare - hit or miss?
- Shakespeare : an illustrated stage history
- Shakespeare : text, stage and canon
- Shakespeare aloud : a guide to his verse on stage
- Shakespeare and Chekhov in production and reception : theatrical events and their audiences
- Shakespeare and feminist performance : ideology on stage
- Shakespeare and his players
- Shakespeare and his stage : approaches to Hamlet
- Shakespeare and modern theatre : the performance of modernity
- Shakespeare and the authority of performance
- Shakespeare and the force of modern performance
- Shakespeare and the theatrical event
- Shakespeare and youth culture
- Shakespeare at the moment : playing the comedies
- Shakespeare dancing : a theatrical study of the plays
- Shakespeare for young people : productions, versions and adaptations
- Shakespeare in Performance
- Shakespeare in performance
- Shakespeare in performance : castings and metamorphoses
- Shakespeare in production : whose history?
- Shakespeare in the theatre
- Shakespeare in the theatre : Mark Rylance at the Globe
- Shakespeare observed : studies in performance on stage and screen
- Shakespeare sounded soundly : the verse structure and the language : a handbook for students, actors, and directors
- Shakespeare without tears
- Shakespeare's art of orchestration : stage technique and audience response
- Shakespeare's culture in modern performance
- Shakespeare's dramatic challenge : on the rise of Shakespeare's tragic heroes
- Shakespeare's history plays : performance, translation and adaptation in Britain and abroad
- Shakespeare's plays in performance
- Shakespeare's plays in performance
- Shakespeare's revision of King Lear
- Shakespeare's visual theatre : staging the personified characters
- Shakespeare, directing for film and stage
- Shakespeare, memory and performance
- Shakespeare, race and performance : the diverse bard
- Shakespeare, theory, and performance
- Shakespearean characterization : a guide for actors and students
- Shakespearean design
- Shakespearean entrances
- Shakespearean text and technique
- South Africa's Shakespeare and the drama of language and identity
- Speak the speech! : Shakespeare's monologues illuminated
- Speechless dialect : Shakespeare's open silences
- Staging Shakespeare at the new Globe
- Staging Shakespeare's Hamlet : a director's interpreting text through performance
- Staging in Shakespeare's theatres
- Studying Shakespeare in performance
- Symbol of man : on body-soul for stage and studio
- Talking to the audience : Shakespeare, performance, self
- Teaching Shakespeare through performance
- The Oxford illustrated history of Shakespeare on stage
- The Shakespeare revolution : criticism and performance in the twentieth century
- The Shakespeare sessions
- The Shakespeare wars : clashing scholars, public fiascoes, palace coups
- The Stage directions guide to Shakespeare
- The Tempest
- The Triple bond : plays, mainly Shakespearean, in performance
- The actor and his text
- The actor and the text
- The death of the actor : Shakespeare on page and stage
- The merchant of Venice
- The practical Shakespeare : the plays in practice and on the page
- The taming of the shrew
- The trick of singularity : Twelfth night and the performance editions
- Transforming Shakespeare : contemporary women's re-visions in literature and performance
- Twelfth night : a critical reader
- Understanding Shakespeare's plays in performance
- Women as Hamlet : performance and interpretation in theatre, film and fiction
- Working Shakespeare
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bates.edu/resource/TtWdOliVEE0/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bates.edu/resource/TtWdOliVEE0/">Shakespeare, William, 1564-1616 -- Dramatic production</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bates.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.bates.edu/">Bates College</a></span></span></span></span></div>
