Conversations with the collection : a Terra Foundation collection handbook, edited by Katherine M Bourguignon, Peter John Brownlee

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The instance Conversations with the collection : a Terra Foundation collection handbook, edited by Katherine M Bourguignon, Peter John Brownlee represents a material embodiment of a distinct intellectual or artistic creation found in Bates College.

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Label

Conversations with the collection : a Terra Foundation collection handbook, edited by Katherine M Bourguignon, Peter John Brownlee

Title remainder

a Terra Foundation collection handbook

Statement of responsibility

edited by Katherine M Bourguignon, Peter John Brownlee

Instantiates

• Conversations with the collection : a Terra Foundation collection handbook

Publication

• Chicago, Terra Foundation for American Art, 2018

Bibliography note

Includes bibliographical references

Carrier category

volume

Carrier category code

• nc

Carrier MARC source

rdacarrier

Content category

• text
• still image

Content type code

• txt
• sti

Content type MARC source

• rdacontent
• rdacontent

Contents

Working as a museum without walls / Elizabeth Glassman -- Acknowledgements. Early American painting : Introduction / Sarah Monks -- Blind man's bluff, 1814 / John Lewis Krimmel -- John Singleton Copley, Portrait of Mrs. John Stevens (Judith Sargent, later Mrs. John Murray), 1770-72: perspective / Guillaume Faroult -- George Washington, porthole portrait, after 1824 / Rembrandt Peale -- A peaceable kingdom with Quakers bearing banners, c.1829-30 / Edward Hicks -- Girl in a red dress, c.1835 / Ammi Phillips -- Portrait of a woman said to be Clarissa Gallond Cook, in front of a cityscape, c.1838 / Erastus Salisbury Field -- Gallery of the Louvre, 1831-33 / Samuel F.B. Morse -- Lorenzo and Jessica, 1832 / Washington Allston -- Portrait of Harriet, c.1840 / Jonathan Adams Bartlett -- Portrait of Blanch Sully, 1839 / Thomas Sully. Landscape painting : Introduction / François Brunet -- Thomas Cole, landscape with figures: a scene from "The last of the Mohicans," 1826: perspective / Claudia Mattos-Avolese -- William S. Jewett, The promised land -- the Grayson family, 1850: perspective / Alberto Nulman Magidin -- Almy Pond, Newport, c.1857 / John Frederick Kensett -- Our banner in the sky, 1861 / Frederic Edwin Church -- Rocks at Nahant, 1864 / William Stanley Haseltine -- Autumn afternoon, the Wissahickon, 1864 / Thomas Moran -- Fitz Henry Lane, Brace's rock, Brace's cover, 1864: perspective: Richard Read -- Sanford Robinson Gifford, Hunter mountain, twilight, 1866: perspective / Valéria Piccoli -- Morning in the Hudson, Haverstraw Bay, 1866 / Sanford Robinson Gifford -- Paradise Valley, 1866-68 / John La Farge -- Newburyport marshes: approaching storm, c.1871 / Martin Johnson Heade -- The sidewheeler "The city of St. Paul" on the Mississippi River, Dubuque, Iowa, 1872 / Alfred Thompson Bricher -- On the Hudson near Haverstraw, 1872 / Francis A. Silva -- The iceberg, c.1875 / Frederic Edwin Church -- Indian encampment, c.1870-76 / Worthington Whittredge. Genre and still life painting : Introduction / Sara Burns -- The trap sprung, 1844 / William Sidney Mount -- Fruit piece: apples on tin cups, 1864 / William Sidney Mount -- Harvest of cherries, 1866 / Robert Spear Dunning -- Fiddling his way, c.1866 / Eastman Johnson -- The home of the red, white, and blue, c.1867-68 / Lilly Martin Spencer -- Ships unloading, New York, 1868 / Samuel Colman, Jr. -- Picnic party in the woods / John George Brown -- Martin Johnson Heade, Still life with apple blossoms in a nautilus shell, 1870: perspective / John Davis -- Apple picking, 1878 / Winslow Homer -- The Yankee pedlar, 1872 / Thomas Waterman Wood -- The jolly flatboatmen, 1877-78 / George Caleb Bingham -- One dollar bill, 1890 / John Haberle -- Winslow Homer, The whittling boy, 1873: perspective / Go Kobayashi -- Old time letter rack, 1894 / John Frederick Peto. Cosmopolitanism and the Gilded Age : Introduction / Frances Fowle -- John Singer Sargent, four studies for "En route pour la pêche" and "Fishing for oysters at Cancale," 1877: perspective / Sarah Cash -- The zattere: harmony in blue and brown, c.1879 / James Abbott McNeill Whistler -- Note in red: the siesta, by 1884 / James Abbott McNeill Whistler -- From shore to shore, 1885 / Joseph H. Boston -- The weaver, 1889 / George de Forest Brush -- Averse -- rue Bonaparte, 1887 / Childe Hassam -- Brook, Giverny, 1887 / Theodore Wendel -- On the veranda, 1887 / Irving Ramsey Wiles -- Lotus lilies, 1888 / Charles Courtney Curran -- Brittany town morning, Larmor, 1884 / Dennis Miller Bunker -- Dennis Miller Bunker painting at Calcot, 1888 / John Singer Sargent -- William Merritt Chase, Spring flowers (peonies), by 1889: perspective / Elsa Smithgall -- Childe Hassam, Horse drawn cabs at evening, New York, c.1890: perspective / Chen Yao -- Garden at Giverny (in Monet's garden), c.1887-91 / John Leslie Breck -- Giverny hillside, c.1890-91 / Guy Rose -- In the orchard, 1891 / Edmund C. Tarbell -- Horticulture building, world's Columbian exposition, Chicago, 1893 / Childe Hassam -- Theodore Robinson, Blossoms at Giverny, 1891-92: perspective / Clara Marcellán -- Mary Cassatt, Summertime, 1894: perspective / Hideko Numata -- Lilla Cabot Perry, Self-portrait, c.1889-96: perspective / Yuko Matsukawa -- Henry Ossawa Tanner, Les invalides, Paris, 1896: perspective / Anne Lafont -- Morning at Breakwater, Shinnecock, c.1897 / William Merritt Chase -- Winter landscape, c.1890-1900 / John H. Twachtman -- Havana harbor, 1902 / Willard Metcalf -- Portrait of Thomas J. Eagan, 1907 / Thomas Eakins -- Thomas Wilmer Dewing, Portrait of a lady holding a rose, 1912: perspective / Eunyoung Cho -- Lady in a garden, c.1912 / Frederick Carl Frieseke. Urban realism and the American scene : Introduction / David Peters Corbett -- William Glackens, Bal bullier, c.1895: perspective / Hélène Valance -- The Grand Canal, Venice, c.1898-99 / Maurice Brazil Predergast -- Theater scene, 1903 / Evertt Shinn -- Salem willows, 1904 / Maurice Brazil Predergast -- Sylvester, 1914 / Robert Henri -- Rockwell Kent, Cranberrying, Monhegan, c.1907: perspective / Alberto Harambour -- George Bellows, The Palisades, 1909: perspective / Christopher Riopelle -- Robert Henri, Figure in motion, 1913: perspective / John Fagg -- Knitting for the soldiers: High Bridge Park, c.1918 / George Luks -- Walter Ufer, builders of the desert, 1923: perspective / Anna Hudson -- Chicago, 1930 / Reginald Marsh -- Pip and flip, 1932 / Reginald Marsh -- Archibald J. Motley, Jr., Between acts, 1935: perspective / Richard J. Powell -- Charles Sheeler, Bucks County barn, 1940: perspective / Mark Rawlinson -- Romare Bearden, After church, 1941: perspective / Ruth Fine -- Edward Hoper, Dawn in Pennsylvania, 1942: perspective / Filip Lipiński -- Jacob Lawrence, Bar-b-que, 1942: perspective / Elizabeth Hutton Turner -- Clown with drum, 1942 / Walt Kuhn -- Sierra Madre at Monterrey, 1943 / Edward Hopper. Early abstract and modernist painting : Introduction / Chris McAuliffe -- Construction, 1915 / Max Weber -- Nature symbolized #3: steeple and trees, 1911-12; Sails, 1911-12 / Arthur Dove -- Telegraph poles with buildings, 1917 / Joseph Stella -- Peinture, 1917-18 / Patrick Henry Bruce -- marsden Hartley, Painting no.50, 1914-15: perspective / Dieter Scholz -- Welcome to our city, 1921 / Charles Demuth -- Boy with cow, 1921 / Yasuo Kuniyoshi -- Super table, 1925 / Stuart Davis -- Purple and green leaves, 1927 / Helen Torr -- Arthur Dove, Boat going through inlet, c.1929: perspective / Rachael Z. DeLue -- The green chair, 1928 / John Graham -- Politics, 1931 / John Storrs -- Brooklyn Bridge, on the bridge, 1930 / John Marin -- Sailboat, Brooklyn Bridge, New York skyline, 1934 / John Marin -- Georgia O'Keeffe, Red amaryllis, 1937: perspective / Georgiana Ulhyarik -- Room space, 1937-38 / Albert Eugene Gallatin -- Adolescence, 1947 / Milton Avery -- Untitled (village street scene), 1948 / Beauford Delaney -- Passing show, 1951 / Philip Evergood -- George Tooker, Highway, 1953: perspective / Robert Cozzolino -- Topcat boy, 1970 / Ed Paschke -- Kalounna in Frogtown, 1986 / Jamie Wyeth. Notes -- Contributors -- Credits -- Terra Collection initiatives 2006-18 -- About the foundation

Control code

1050723348

Dimensions

24 cm

Extent

307 pages

Isbn

9780932171658

Media category

unmediated

Media MARC source

rdamedia

Media type code

• n

Other physical details

illustrations

Record ID

.b55815674

System control number

(OCoLC)1050723348