The Resource Purity is a myth : the materiality of concrete art from Argentina, Brazil, and Uruguay, edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk
Purity is a myth : the materiality of concrete art from Argentina, Brazil, and Uruguay, edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk
Resource Information
The item Purity is a myth : the materiality of concrete art from Argentina, Brazil, and Uruguay, edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Bates College.This item is available to borrow from 1 library branch.
Resource Information
The item Purity is a myth : the materiality of concrete art from Argentina, Brazil, and Uruguay, edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Bates College.
This item is available to borrow from 1 library branch.
- Summary
- "Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s"--
- Language
- eng
- Extent
- x, 325 pages
- Contents
-
- Introduction: The Myth of Purity: New Material Histories of Concrete Art / Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk
- Part I. New Perspectives on the Emergence of Concrete Art from Argentina, Brazil, and Uruguay
- Material Relations: Torres-García and Concrete Art from Argentina / Niko Vicario
- Rhod Rothfuss and the marco recortado: A Synthesis of Cultural Traditions in the Río de la Plata Region / María Amalia García
- Waldemar Cordeiro and Grupo Forma: The Roman Road to São Paulo Concrete Art / Heloisa Espada
- Part II. Generative Processes in Concrete Art
- Cut, Fuse, Fissure: Planarity circa 1954 / Irene V. Small
- Judith Lauand's Sketchbooks and the Visualization of Concrete Form in 1954 / Aliza Edelman
- Hermelindo Fiaminghi's Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto's Tempera / Pia Gottschaller, Tom Learner, and Joy Mazurek
- Part III. Concretizing Color
- Energy, Legibility, Purity: Color in Argentine Concrete Art / Idurre Alonso, Pia Gottschaller, C.C. Marsh, Andrew Perchuk, and Lynn Lee
- Looking to the Past to Paint the Future: Innovative: Anachronisms in the Work of Alfredo Volpi and Hélio Oiticica / Mari Carmen Ramírez and Corina E. Rogge
- The Adventure of Color in Brazilian Art: Aluísio Carvão, Hélio Oiticica, and Roberto Burle Marx / Luiz Camillo Osorio
- Part IV. Concrete Art on Paper
- Printing Invention: Artwork, Project, or Device / Isabel Plante
- On Kissing and Biting: The Material Impressions of Language and Design in the Work of Willys de Castro and Hermelindo Fiaminghi / Zanna Gilbert
- Part V. Analyzing Concrete Art: Technical Overviews
- Experimentation and Materiality: Constructing the Brazilian Artwork, 1950s-60s / Luiz A. C. Souza, Alessandra Rosado, Yacy-Ara Froner, Rita L. Rodrigues, Maria Alice Sanna Castelo Branco, Giula Giovani, and Vítor P. Amaral
- Argentine Concrete Art, the First Decade: Between the Material and Formal Tradition and Innovation / Pino Monkes
- Technical Studies of Concrete Art from the Río de La Plata Region / Fernando Marte
- Part VI. The Reception of Concrete Art in Museums and Academia
- A History of the Field / Aleca Le Blanc
- Part VII. Chronologies
- Paint Production in Argentina, 1940s-60 / Florencia Castella and Sofía Frigerio
- Paint Production in Brazil, 1940s-60s / João Henrique Ribeiro Barbosa
- Isbn
- 9781606067239
- Label
- Purity is a myth : the materiality of concrete art from Argentina, Brazil, and Uruguay
- Title
- Purity is a myth
- Title remainder
- the materiality of concrete art from Argentina, Brazil, and Uruguay
- Statement of responsibility
- edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk
- Subject
-
- 1900-1999
- Argentina
- Art, Argentine
- Art, Argentine -- 20th century
- Art, Argentine -- 20th century
- Art, Brazilian
- Art, Brazilian -- 20th century
- Art, Brazilian -- 20th century
- Art, Uruguayan
- Art, Uruguayan -- 20th century
- Art, Uruguayan -- 20th century
- Brazil
- Concrete art
- Concrete art -- Argentina
- Concrete art -- Argentina
- Concrete art -- Brazil
- Concrete art -- Brazil
- Concrete art -- Uruguay
- Concrete art -- Uruguay
- Uruguay
- Language
- eng
- Summary
- "Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s"--
- Assigning source
- Provided by publisher
- Cataloging source
- JPG/DLC
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorDate
- 1980-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Gilbert, Zanna
- Gottschaller, Pia,
- Learner, Tom,
- Perchuk, Andrew,
- Getty Research Institute,
- Series statement
- Issues & debates
- http://library.link/vocab/subjectName
-
- Concrete art
- Concrete art
- Concrete art
- Art, Argentine
- Art, Brazilian
- Art, Uruguayan
- Art, Argentine
- Art, Brazilian
- Art, Uruguayan
- Concrete art
- Argentina
- Brazil
- Uruguay
- Label
- Purity is a myth : the materiality of concrete art from Argentina, Brazil, and Uruguay, edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: The Myth of Purity: New Material Histories of Concrete Art / Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk -- Part I. New Perspectives on the Emergence of Concrete Art from Argentina, Brazil, and Uruguay -- Material Relations: Torres-García and Concrete Art from Argentina / Niko Vicario -- Rhod Rothfuss and the marco recortado: A Synthesis of Cultural Traditions in the Río de la Plata Region / María Amalia García -- Waldemar Cordeiro and Grupo Forma: The Roman Road to São Paulo Concrete Art / Heloisa Espada -- Part II. Generative Processes in Concrete Art -- Cut, Fuse, Fissure: Planarity circa 1954 / Irene V. Small -- Judith Lauand's Sketchbooks and the Visualization of Concrete Form in 1954 / Aliza Edelman -- Hermelindo Fiaminghi's Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto's Tempera / Pia Gottschaller, Tom Learner, and Joy Mazurek -- Part III. Concretizing Color -- Energy, Legibility, Purity: Color in Argentine Concrete Art / Idurre Alonso, Pia Gottschaller, C.C. Marsh, Andrew Perchuk, and Lynn Lee -- Looking to the Past to Paint the Future: Innovative: Anachronisms in the Work of Alfredo Volpi and Hélio Oiticica / Mari Carmen Ramírez and Corina E. Rogge -- The Adventure of Color in Brazilian Art: Aluísio Carvão, Hélio Oiticica, and Roberto Burle Marx / Luiz Camillo Osorio -- Part IV. Concrete Art on Paper -- Printing Invention: Artwork, Project, or Device / Isabel Plante -- On Kissing and Biting: The Material Impressions of Language and Design in the Work of Willys de Castro and Hermelindo Fiaminghi / Zanna Gilbert -- Part V. Analyzing Concrete Art: Technical Overviews -- Experimentation and Materiality: Constructing the Brazilian Artwork, 1950s-60s / Luiz A. C. Souza, Alessandra Rosado, Yacy-Ara Froner, Rita L. Rodrigues, Maria Alice Sanna Castelo Branco, Giula Giovani, and Vítor P. Amaral -- Argentine Concrete Art, the First Decade: Between the Material and Formal Tradition and Innovation / Pino Monkes -- Technical Studies of Concrete Art from the Río de La Plata Region / Fernando Marte -- Part VI. The Reception of Concrete Art in Museums and Academia -- A History of the Field / Aleca Le Blanc -- Part VII. Chronologies -- Paint Production in Argentina, 1940s-60 / Florencia Castella and Sofía Frigerio -- Paint Production in Brazil, 1940s-60s / João Henrique Ribeiro Barbosa
- Control code
- 1233025014
- Dimensions
- 26 cm
- Extent
- x, 325 pages
- Isbn
- 9781606067239
- Lccn
- 2021001297
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations (chiefly color)
- System control number
- (OCoLC)1233025014
- Label
- Purity is a myth : the materiality of concrete art from Argentina, Brazil, and Uruguay, edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: The Myth of Purity: New Material Histories of Concrete Art / Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk -- Part I. New Perspectives on the Emergence of Concrete Art from Argentina, Brazil, and Uruguay -- Material Relations: Torres-García and Concrete Art from Argentina / Niko Vicario -- Rhod Rothfuss and the marco recortado: A Synthesis of Cultural Traditions in the Río de la Plata Region / María Amalia García -- Waldemar Cordeiro and Grupo Forma: The Roman Road to São Paulo Concrete Art / Heloisa Espada -- Part II. Generative Processes in Concrete Art -- Cut, Fuse, Fissure: Planarity circa 1954 / Irene V. Small -- Judith Lauand's Sketchbooks and the Visualization of Concrete Form in 1954 / Aliza Edelman -- Hermelindo Fiaminghi's Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto's Tempera / Pia Gottschaller, Tom Learner, and Joy Mazurek -- Part III. Concretizing Color -- Energy, Legibility, Purity: Color in Argentine Concrete Art / Idurre Alonso, Pia Gottschaller, C.C. Marsh, Andrew Perchuk, and Lynn Lee -- Looking to the Past to Paint the Future: Innovative: Anachronisms in the Work of Alfredo Volpi and Hélio Oiticica / Mari Carmen Ramírez and Corina E. Rogge -- The Adventure of Color in Brazilian Art: Aluísio Carvão, Hélio Oiticica, and Roberto Burle Marx / Luiz Camillo Osorio -- Part IV. Concrete Art on Paper -- Printing Invention: Artwork, Project, or Device / Isabel Plante -- On Kissing and Biting: The Material Impressions of Language and Design in the Work of Willys de Castro and Hermelindo Fiaminghi / Zanna Gilbert -- Part V. Analyzing Concrete Art: Technical Overviews -- Experimentation and Materiality: Constructing the Brazilian Artwork, 1950s-60s / Luiz A. C. Souza, Alessandra Rosado, Yacy-Ara Froner, Rita L. Rodrigues, Maria Alice Sanna Castelo Branco, Giula Giovani, and Vítor P. Amaral -- Argentine Concrete Art, the First Decade: Between the Material and Formal Tradition and Innovation / Pino Monkes -- Technical Studies of Concrete Art from the Río de La Plata Region / Fernando Marte -- Part VI. The Reception of Concrete Art in Museums and Academia -- A History of the Field / Aleca Le Blanc -- Part VII. Chronologies -- Paint Production in Argentina, 1940s-60 / Florencia Castella and Sofía Frigerio -- Paint Production in Brazil, 1940s-60s / João Henrique Ribeiro Barbosa
- Control code
- 1233025014
- Dimensions
- 26 cm
- Extent
- x, 325 pages
- Isbn
- 9781606067239
- Lccn
- 2021001297
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations (chiefly color)
- System control number
- (OCoLC)1233025014
Subject
- 1900-1999
- Argentina
- Art, Argentine
- Art, Argentine -- 20th century
- Art, Argentine -- 20th century
- Art, Brazilian
- Art, Brazilian -- 20th century
- Art, Brazilian -- 20th century
- Art, Uruguayan
- Art, Uruguayan -- 20th century
- Art, Uruguayan -- 20th century
- Brazil
- Concrete art
- Concrete art -- Argentina
- Concrete art -- Argentina
- Concrete art -- Brazil
- Concrete art -- Brazil
- Concrete art -- Uruguay
- Concrete art -- Uruguay
- Uruguay
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bates.edu/portal/Purity-is-a-myth--the-materiality-of-concrete/D7-dp3_CJE0/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bates.edu/portal/Purity-is-a-myth--the-materiality-of-concrete/D7-dp3_CJE0/">Purity is a myth : the materiality of concrete art from Argentina, Brazil, and Uruguay, edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bates.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.bates.edu/">Bates College</a></span></span></span></span></div>
