Self in literature
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The concept Self in literature represents the subject, aboutness, idea or notion of resources found in Bates College.
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Self in literature
Resource Information
The concept Self in literature represents the subject, aboutness, idea or notion of resources found in Bates College.
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- Self in literature
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- "Littery man" : Mark Twain and modern authorship
- "We are three sisters" : self and family in the writing of the Brontës
- A self made of words : crafting a distinctive persona in nonfiction writing
- All the world's a stage : dramatic sensibility in Mary Shelley's novels
- Artful histories : modern Australian autobiography
- At face value : autobiographical writing in Spanish America
- Atonement and self-sacrifice in nineteenth-century narrative
- Authors to themselves : Milton and the revelation of history
- Autobiographical voices : race, gender, self-portraiture
- Autobiographical writing and British literature, 1783-1834
- Autobiographieforschung : a Alte Fragen - neue Perspektiven
- Autobiography in Shakespeare's plays : lands so by his father lost
- Beyond argument : essaying as a practice of (ex)change
- Bioethics and biolaw through literature
- Black queer flesh : rejecting subjectivity in the African American novel
- Breaking new ground : the transgressive poetics of Claudio RodrÃguez
- Catullus and the poetics of Roman manhood
- Charlotte Brontë and Victorian psychology
- Constructing the literary self : race and gender in twentieth-century literature
- Costly Monuments : Representations of the Self in George Herbert's Poetry
- Creating identity in the Victorian fictional autobiography
- Creating the self in the contemporary American theatre
- Dante's persons : an ethics of the transhuman
- Declamation, paternity, and Roman identity : authority and the rhetorical self
- Declarations of independency in eighteenth-century American autobiography
- Disappointment : its modern roots from Spinoza to contemporary literature
- Discoveries of the other : alterity in the work of Leonard Cohen, Hubert Aquin, Michael Ondaatje, and Nicole Brossard
- Discovering the subject in Renaissance England
- Disorienting fiction : the autoethnographic work of nineteenth-century British novels
- Dramas of solitude : narratives of retreat in American nature writing
- Du théâtre au récit de soi dans le roman-mémoires du xviiie siècle
- Dying in character : memoirs on the end of life
- El sujeto boscoso : tipologÃas subjetivas de la poesÃa española contemporánea entre el espejo y la notredad (1978-2015)
- El yo fabulado : nuevas aproximaciones crÃticas a la autoficción
- Embodied : Victorian literature and the senses
- Emotion and the self in English Renaissance literature : reforming contentment
- Entangled voices : genre and the religious construction of the self
- Essays on life writing : from genre to critical practice
- Ethical encounters : spaces and selves in the writings of Rudy Wiebe
- Euripides, Freud, and the romance of belonging
- Experimental selves : person and experience in early modern Europe
- From Copyright to Copperfield : The Identity of Dickens
- Gertrude Stein and Wallace Stevens : the performance of modern consciousness
- Hegel and Shakespeare on moral imagination
- Hemingway : the writer's art of self-defense
- Henry James and the father question
- Hopkins, the self, and God
- Hugh MacDiarmid, the poetry of self
- Ibsen and the modern self
- Ideologies of identity in adolescent fiction : the dialogic construction of subjectivity
- Imagining a Self : Autobiography and Novel in Eighteenth-Century England
- Impersonality : seven essays
- Impossible individuality : Romanticism, revolution, and the origins of modern selfhood, 1787-1802
- In respect to egotism : studies in American Romantic writing
- In the presence of audience : the self in diaries and fiction
- Intimacy and sexuality in the age of Shakespeare
- Intimate and authentic economies : the American self-made man from Douglass to Chaplin
- Jack Kerouac's Duluoz legend : the mythic form of an autobiographical fiction
- James Joyce and the politics of egoism
- Jane Eyre : portrait of a life
- John Milton : the self and the world
- La memoria sublevada : autobiografÃa y reivindicación del intelectual ibérico del medio siglo
- Law and Morality : Leon Petrażycki
- Le personnel est politique : médias, esthétique, et politique de l'autofiction chez Christine Angot, Chloé Delaume, et Nelly Arcan
- Leaves of grass : America's lyric-epic of self and democracy
- Male call : becoming Jack London
- Mapping the contours of oppression : subjectivity, truth and fiction in recent German autobiographical treatments of totalitarianism
- Melancholy, love, and time : boundaries of the self in ancient literature
- Membranes : metaphors of invasion in nineteenth-century literature, science, and politics
- Memòria personal : construcció i projecció en primera persona a l'època moderna
- Men and women writers of the 1930s : the dangerous flood of history
- Michel Leiris : writing the self
- Mining memory : reimagining self and nation through narratives of childhood in Peru
- Montaigne and the life of freedom
- Nabokov's early fiction : patterns of self and other
- Narrative Structures and the Language of the Self
- Never say I : sexuality and the first person in Colette, Gide, and Proust
- Nobody's home : speech, self, and place in American fiction from Hawthorne to DeLillo
- On Not Being Someone Else : Tales of Our Unled Lives
- One kind of everything : poem and person in contemporary America
- Opacity and the closet : queer tactics in Foucault, Barthes, and Warhol
- Passions and subjectivity in early modern culture
- Pastoral and the poetics of self-contradiction : Theocritus to Marvell
- Performance and identity in the classical world
- Performing the Victorian : John Ruskin and identity in theater, science, and education
- Petrarch's humanism and the care of the self
- Philosophy as fiction : self, deception, and knowledge in Proust
- Philosophy as fiction : self, deception, and knowledge in Proust
- Privacy : concealing the eighteenth-century self
- Privacy and print : reading and writing in seventeenth-century England
- Problem novels : Victorian fiction theorizes the sensational self
- Pursuing privacy in Cold War America
- Reading contemporary African American drama : fragments of history, fragments of self
- Reflections of Romanity : Discourses of Subjectivity in Imperial Rome
- Regard for the other : autothanatography in Rousseau, De Quincey, Baudelaire, and Wilde
- Religious voices in self-narratives : making sense of life in times of transition
- Revised lives : Walt Whitman and nineteenth-century authorship
- Robertson Davies, playwright : a search for the self on the Canadian stage
- Salvage Work : U.S. and Caribbean literatures amid the debris of legal personhood
- Sciences and the self in medieval poetry : Alan of Lille's Anticlaudianus and John Gower's Confessio amantis
- Seizures of the will in early modern English drama
- Self, nation, text in Salman Rushdie's Midnight's children
- Shifting subjects : plural subjectivity in contemporary francophone women's autobiography
- Sincerity's shadow : self-consciousness in British romantic and mid-twentieth-century American poetry
- Slippery characters : ethnic impersonators and American identities
- Solitude versus solidarity in the novels of Joseph Conrad : political and epistemological implications of narrative innovation
- Stories and portraits of the self
- Texts and the self in the twelfth century
- Textual & visual selves : photography, film, and comic art in French autobiography
- The American counterfeit : authenticity and identity in American literature and culture
- The Buried Life : A Study of the Relation between Thackeray's Fiction and His Personal History
- The Problematic Self : Approaches to Identity in Stendhal, D. H. Lawrence, and Malraux
- The Self as Mind : Vision and Identity in Wordsworth, Coleridge, and Keats
- The Turning Key : Autobiography and the Subjective Impulse since 1800
- The body of poetry : essays on women, form, and the poetic self
- The character of the self in ancient India : priests, kings, and women in the early Upaniá¹£ads
- The contemporary anglophone travel novel : the aesthetics of self-fashioning in the era of globalization
- The dark Enlightenment : Jung, Romanticism, and the repressed other
- The dialectic of self and story : reading and storytelling in contemporary American fiction
- The disenchanted self : representing the subject in the Canterbury tales
- The higher self in Christopher Brennan's Poems : esotericism, romanticism, symbolism
- The imaginary puritan : literature, intellectual labor, and the origins of personal life
- The imperfect friend : emotion and rhetoric in Sidney, Milton, and their contexts
- The intimate empire : reading women's autobiography
- The lives of literature : reading, teaching, knowing
- The making of Sir Philip Sidney
- The poetic imperative : a speculative aesthetics
- The poetics of disappointment : Wordsworth to Ashbery
- The politics of anxiety in nineteenth-century American literature
- The power of the passive self in English literature, 1640-1770
- The relation of Tristram Shandy to the life of Sterne
- The self and it : novel objects and mimetic subjects in eighteenth-century England
- The self as muse : narcissism and creativity in the German imagination, 1750-1830
- The self in the cell : narrating the Victorian prisoner
- The self-fashioning of Disraeli : 1818-1851
- The senses of humor : self and laughter in modern America
- The shattering of the self : violence, subjectivity, and early modern texts
- The story of "me" : contemporary American autofiction
- The unforeseen self in the works of Wendell Berry
- The watchman in pieces : surveillance, literature, and liberal personhood
- The woman who pretended to be who she was : myths of self-imitation
- Transformative learning through creative life writing : exploring the self in the learning process
- Travel writing : the self and the world
- Tudor autobiography : listening for inwardness
- Universes without us : posthuman cosmologies in American literature
- Vergil's Aeneid and the Roman self : subject and nation in literary discourse
- Whitman possessed : poetry, sexuality, and popular authority
- Word and self estranged in English texts, 1550-1660
- Wordsworth in his major lyrics : the art and psychology of self-representation
- Writing selves : contemporary feminist autography
- Yoga minds, writing bodies : contemplative writing pedagogy
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bates.edu/resource/9hi7I-LaAEI/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bates.edu/resource/9hi7I-LaAEI/">Self in literature</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bates.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.bates.edu/">Bates College</a></span></span></span></span></div>