Gothic antiquity : history, romance, and the architectural imagination, 1760-1840

Resource Information

The work Gothic antiquity : history, romance, and the architectural imagination, 1760-1840 represents a distinct intellectual or artistic creation found in Bates College. This resource is a combination of several types including: Work, Language Material, Books.

Label

Gothic antiquity : history, romance, and the architectural imagination, 1760-1840

Title remainder

history, romance, and the architectural imagination, 1760-1840

Statement of responsibility

Dale Townshend

Creator

• Townshend, Dale,
• Townshend, Dale,

Author

• Townshend, Dale,
• Townshend, Dale,

Subject

• Architecture and literature -- History -- 19th century
• Architecture and literature -- History -- 19th century
• Architecture, Gothic, in literature
• Architecture, Gothic, in literature
• Criticism, interpretation, etc
• Gothic revival (Architecture)
• Gothic revival (Architecture)
• 1700-1899
• Gothic revival (Literature)
• Gothic revival (Literature) -- History and criticism
• Gothic revival (Literature) -- History and criticism
• History
• Gothic revival (Architecture)
• Architecture and literature
• Architecture and literature -- History -- 18th century
• Architecture and literature -- History -- 18th century

Genre

• History
• Criticism, interpretation, etc

Language

eng

Summary

Gothic Antiquity: History, Romance, and the Architectural Imagination, 1760-1840' provides the first sustained scholarly account of the relationship between Gothic architecture and Gothic literature (fiction; poetry; drama) in the late eighteenth and early nineteenth centuries. Although the relationship between literature and architecture is a topic that has long preoccupied scholars of the literary Gothic, there remains, to date, no monograph-length study ofthe intriguing and complex interactions between these two aesthetic forms. Equally, Gothic literature has received only the most cursory of treatments in art-historical accounts of the early Gothic Revival in architecture, interiors, and design. In addressing this gap in contemporary scholarship, 'Gothic Antiquity' seeks to situate Gothic writing in relation to the Gothic-architectural theories, aesthetics, and practices with which it was contemporary, providing closely historicized readings of a wide selection of canonical and lesser-known texts and writers. 0Correspondingly, it shows how these architectural debates responded to, and were to a certain extent shaped by, what we have since come to identify as the literary Gothic mode. In both its 'survivalist' and 'revivalist' forms, the architecture of the Middle Ages in the long eighteenth century was always much more than a matter of style. 0Incarnating, for better or for worse, the memory of a vanished 'Gothic' age in the modern, enlightened present, Gothic architecture, be it ruined or complete, prompted imaginative reconstructions of thenation's past-a notable 'visionary' turn, as the antiquary John Pinkerton put it in 1788, in which Gothic writers, architects, and antiquaries enthusiastically participated. 0

Cataloging source

YDX

Illustrations

illustrations

Index

index present

Literary form

non fiction

Nature of contents

bibliography