Wartime kiss : visions of the moment in the 1940s
Resource Information
The work Wartime kiss : visions of the moment in the 1940s represents a distinct intellectual or artistic creation found in Bates College. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Wartime kiss : visions of the moment in the 1940s
Resource Information
The work Wartime kiss : visions of the moment in the 1940s represents a distinct intellectual or artistic creation found in Bates College. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Wartime kiss : visions of the moment in the 1940s
- Title remainder
- visions of the moment in the 1940s
- Statement of responsibility
- Alexander Nemerov
- Subject
-
- Collective memory
- Collective memory
- Collective memory
- Historiography and photography
- Historiography and photography
- Historiography and photography
- Nineteen forties
- Nineteen forties
- Nineteen forties
- World War, 1939-1945 -- Motion pictures and the war
- World War, 1939-1945 -- Motion pictures and the war
- World War, 1939-1945 -- Motion pictures and the war
- World War, 1939-1945 -- Photography
- World War, 1939-1945 -- Photography
- World War, 1939-1945 -- Photography
- Art and history
- Art and history
- Art and history
- Language
- eng
- Summary
- "Wartime Kiss is a personal meditation on the haunting power of American photographs and films from World War II and the later 1940s. Starting with a powerful reinterpretation of one of the most famous photos of all time, Alfred Eisenstaedt's image of a sailor kissing a nurse in Times Square on V-J Day, Alexander Nemerov goes on to examine an idiosyncratic collection of mostly obscure or unknown images and movie episodes--from a photo of Jimmy Stewart and Olivia de Havilland lying on a picnic blanket in the Santa Barbara hills to scenes from such films as Twelve O'Clock High and Hold Back the Dawn. Erotically charged and bearing traces of trauma even when they seem far removed from the war, these photos and scenes seem to hold out the promise of a palpable and emotional connection to those years. Through a series of fascinating stories, Nemerov reveals the surprising background of these bits of film and discovers unexpected connections between the war and Hollywood, from an obsession with aviation to Anne Frank's love of the movies. Beautifully written and illustrated, Wartime Kiss vividly evokes a world in which Margaret Bourke-White could follow a heroic assignment photographing a B-17 bombing mission over Tunis with a job in Hollywood documenting the filming of a war movie. Ultimately this is a book about history as a sensuous experience, a work as mysterious, indescribable, and affecting as a novel by W. G. Sebald"--
- Assigning source
- Provided by publisher
- Cataloging source
- DLC
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- Series statement
- Essays on the arts
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bates.edu/resource/JG4O6YM83Wc/" typeof="CreativeWork http://bibfra.me/vocab/lite/Work"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bates.edu/resource/JG4O6YM83Wc/">Wartime kiss : visions of the moment in the 1940s</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bates.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.bates.edu/">Bates College</a></span></span></span></span></div>