Music -- Social aspects
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The concept Music -- Social aspects represents the subject, aboutness, idea or notion of resources found in Bates College.
The Resource
Music -- Social aspects
Resource Information
The concept Music -- Social aspects represents the subject, aboutness, idea or notion of resources found in Bates College.
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- Music -- Social aspects
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- http://id.loc.gov/authorities/subjects/sh85088891
198 Items that share the Concept Music -- Social aspects
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- A language of its own : sense and meaning in the making of Western art music
- A life for new music : selected papers of Paul Fromm
- A resource guide to themes in contemporary American song lyrics, 1950-1985
- A social history of music, from the Middle Ages to Beethoven
- A symphony of flavors : food and music in concert
- Acoustic interculturalism : listening to performance
- Acting in concert : music, community, and political action
- Adorno on music
- After Adorno : rethinking music sociology
- All music : essays on the hermeneutics of music
- American composers and their public : a critical look
- American music: from Storyville to Woodstock.
- Authentic connection : music, spirituality, and wellbeing
- Barbershopping : musical and social harmony
- Beethoven's anvil : music in mind and culture
- Beyond exoticism : western music and the world
- Beyond structural listening? : postmodern modes of hearing
- Can't stop, won't stop : a history of the hip-hop generation
- Chopin at the boundaries : sex, history, and musical genre
- Classical music why bother? : hearing the world of contemporary culture through a composer's ears
- Collaborative intimacies in music and dance : anthropologies of sound and movement
- Community music : in theory and in practice
- Connecting sounds : the social life of music
- Consuming music together : social and collaborative aspects of music consumption technologies
- Conventional wisdom : the content of musical form
- Crosby's Opera House : symbol of Chicago's cultural awakening
- Cultural psychology of musical experience
- Dangerous crossroads : popular music, postmodernism, and the poetics of place
- Deconstructive variations : music and reason in western society
- Democracy at the opera : music, theater, and culture in New York City, 1815-60
- Dialectics in the arts : the rise of experimentalism in American music
- Dis-orienting rhythms : the politics of the new Asian dance music
- Discographies : dance music, culture, and the politics of sound
- Doo-dah! : Stephen Foster and the rise of American popular culture
- Dreams of love : playing the romantic pianist
- Eight urban musical cultures : tradition and change
- Einführung in die Musiksoziologie
- English musicians in the age of exploration
- Frank Zappa : the negative dialectics of poodle play
- From the erotic to the demonic : on critical musicology
- Girls rock! : fifty years of women making music
- Global metal music and culture : current directions in metal studies
- Handbook of musical identities
- Heavy metal : the music and its culture
- Hip hop culture
- Hot stuff : disco and the remaking of American culture
- How music works
- Identity and the arts in diaspora communities
- In garageland : rock, youth, and modernity
- Introduction to the sociology of music
- Keeping score : music, disciplinarity, culture
- Let the music play! : harnessing the power of music for history and social studies classrooms
- Magic circles : the Beatles in dream and history
- Mapping the beat : popular music and contemporary theory
- Metal, rock, and jazz : perception and the phenomenology of musical experience
- Microphone fiends : youth music & youth culture
- Migrant musicians : Filipino entertainers and the work of music making
- Mind models : new forms of musical experience
- Minstrels of the dawn : the folk-protest singer as a cultural hero
- Modern times : from World War I to the present
- Moribund music : can classical music be saved?
- Music and Marx : ideas, practice, politics
- Music and art in society.
- Music and capitalism : a history of the present
- Music and context : essays for John M. Ward
- Music and cultural rights
- Music and cultural theory
- Music and culture in America, 1861-1918
- Music and history : bridging the disciplines
- Music and ideology in Cold War Europe
- Music and its social meanings
- Music and manipulation : on the social uses and social control of music
- Music and society
- Music and society
- Music and society : the politics of composition, performance, and reception
- Music and society since 1815
- Music and technoculture
- Music and the mind
- Music and the politics of culture
- Music and the sociological gaze : art worlds and cultural production
- Music as social life : the politics of participation
- Music as social text
- Music grooves : essays and dialogues
- Music in everyday life
- Music in human life : anthropological perspectives on music
- Music in society : a guide to the sociology of music
- Music in the dialogue of cultures : traditional music and cultural policy
- Music on deaf ears : musical meaning, ideology, education
- Music radio : building communities, mediating genres
- Music, culture, and society : a reader
- Music, gender, and culture
- Music, gender, education
- Music, social media, and global mobility : MySpace, Facebook, YouTube
- Music, society, education
- Musica practica : the social practice of Western music from Gregorian chant to postmodernism
- Musical beliefs : psychoacoustic, mythical, and educational perspectives
- Musical childhoods & the cultures of youth
- Musical communication
- Musical democracy
- Musical elaborations
- Musical healing in cultural contexts
- Musical identities
- Musical life in a changing society : aspects of music sociology
- Musics of many cultures : an introduction
- Musik im Wandel der Gesellschaft : Grundzüge der Musiksoziologie
- My music
- Nation and classical music : from Handel to Copland
- North German church music in the age of Buxtehude
- Notes from underground : rock music counterculture in Russia
- On becoming a rock musician
- On record : rock, pop, and the written word
- One for the money : politics and popular song
- Performing rites : on the value of popular music
- Piano pieces
- Piano roles : three hundred years of life with the piano
- Popular music in France from chanson to techno : culture, identity, and society
- Popular music in theory : an introduction
- Portable music & its functions
- Postnational musical identities : cultural production, distribution, and consumption in a globalized scenario
- Present tense : rock & roll and culture
- Pressure sensitive : popular musicians under stress
- Psychology of music : from sound to significance
- Putting popular music in its place
- Reading the Beatles : cultural studies, literary criticism, and the Fab Four
- Recorded music : performance, culture and technology
- Rediscovering the muses : women's musical traditions
- Repeating ourselves : American minimal music as cultural practice
- Retuning culture : musical changes in Central and Eastern Europe
- Revolution in the head : the Beatles' records and the sixties
- Rhythm and resistance : explorations in the political uses of popular music
- Rock Music : culture, aesthetics, and sociology
- Rock and popular music : politics, policies, institutions
- Rock eras : interpretations of music and society, 1954-1984
- Rockin' the boat : mass music and mass movements
- Sacred music in secular society
- Silence and selfhood : the desire of order in Mozart's Magic Flute
- Sociologists and music : an introduction to the study of music and society
- Songs of the Vietnam conflict
- Sonorités de l'utopie
- Sound moves : iPod culture and urban experience
- Sounding cities : auditory transformations in Berlin, Chicago, and Kolkata
- Sounding off! : music as subversion/resistance/revolution
- Sounds and society : themes in the sociology of music
- Stars don't stand still in the sky : music and myth
- Sustainable futures for music cultures : an ecological perspective
- Swing changes : big-band jazz in New Deal America
- The Beatles, popular music and society : a thousand voices
- The Early romantic era : between revolutions, 1789 and 1848
- The Last post : music after modernism
- The Late romantic era : from the mid-19th century to World War I
- The Oxford handbook of music making and leisure
- The Renaissance : from the 1470s to the end of the 16th century
- The Rhine as musical metaphor : cultural identity in German romantic music
- The Western impact on world music : change, adaptation, and survival
- The barbershop singer : inside the social world of a musical hobby
- The birth of bebop : a social and musical history
- The cool school : writing from America's hip underground
- The cultural study of music : a critical introduction
- The diva's mouth : body, voice, prima donna politics
- The global jukebox : the international music industry
- The grey album ; : on the blackness of blackness
- The idea of art music in a commercial world, 1800-1930
- The late baroque era : from the 1680s to 1740
- The memetics of music : a neo-Darwinian view of musical structure and culture
- The music industry : music in the cloud
- The musician as entrepreneur, 1700-1914 : managers, charlatans, and idealists
- The new music industries : disruption and discovery
- The noise : notes from a rock 'n' roll era
- The passion for music : a sociology of mediation
- The place of music
- The recording angel : music, records and culture from Aristotle to Zappa
- The rhetoric of moral protest : public campaigns, celebrity endorsement, and political mobilization
- The rise of a jazz art world
- The role of rock
- The secret power of music
- The sex revolts : gender, rebellion, and rock'n'roll
- The sight of sound : music, representation, and the history of the body
- The social psychology of music / : edited by David J. Hargreaves and Adrian C. North
- The social status of the professional musician from the Middle Ages to the 19th century
- The sociology of music
- The sound of the dove : singing in Appalachian Primitive Baptist churches
- The triumph of vulgarity : rock music in the mirror of romanticism
- The vinyl countdown : the album from vinyl to iPod and back again
- The world in six songs : how the musical brain created human nature
- Up from the underground : the culture of rock music in postsocialist Hungary
- Urban rhythms : pop music and popular culture
- Wagner nights : an American history
- Who needs classical music? : cultural choice and musical value
- Whose master's voice? : the development of popular music in thirteen cultures
- Wicked theory, naked practice : a Fred Ho reader
- Women's voices across musical worlds
- World music, musics of the world : aspects of documentation, mass media, and acculturation
- World music, politics, and social change : papers from the International Association for the Study of Popular Music
- Worlds of music : an introduction to the music of the world's peoples
- Writing through music : essay on music, culture, and politics
- Youth, music and creative cultures : playing for life
- Zappa : the negative dialectics of poodle play
- iPod and philosophy : iCon of an ePoch
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bates.edu/resource/NmB7ibO603U/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bates.edu/resource/NmB7ibO603U/">Music -- Social aspects</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bates.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.bates.edu/">Bates College</a></span></span></span></span></div>
