Culture strike : art and museums in an age of protest
Resource Information
The work Culture strike : art and museums in an age of protest represents a distinct intellectual or artistic creation found in Bates College. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Culture strike : art and museums in an age of protest
Resource Information
The work Culture strike : art and museums in an age of protest represents a distinct intellectual or artistic creation found in Bates College. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Culture strike : art and museums in an age of protest
- Title remainder
- art and museums in an age of protest
- Statement of responsibility
- Laura Raicovich
- Title variation
- Art and museums in an age of protest
- Subject
-
- Art museums -- Political aspects
- Art museums -- Political aspects
- Culture conflict -- Social aspects
- Culture conflict -- Social aspects
- Culture conflict -- Social aspects
- Multiculturalism
- Multiculturalism
- Multiculturalism
- Museums and community
- Museums and community
- Museums and community
- Politics and culture -- Social aspects
- Art and social action
- Politics and culture -- Social aspects
- Protest movements
- Protest movements
- Protest movements
- Protest movements
- Queens Museum (2013- )
- Queens Museum (2013- )
- Queens Museum (2013- )
- Raicovich, Laura, 1973-
- Raicovich, Laura, 1973-
- Raicovich, Laura, 1973-
- Politics and culture -- Social aspects
- Art and social action
- Art and social action
- Art and social action
- Art museums -- Political aspects
- Art museums -- Political aspects
- Language
- eng
- Summary
- "In an age of protest, culture and museums have come under fire. Protests of museum funding (for example, the Metropolitan Museum accepting Sackler family money) and boards (for example, the Whitney appointing tear gas manufacturer Warren Kanders) - to say nothing of demonstrations over exhibitions and artworks - have roiled cultural institutions across the world, from the Guggenheim Abu Dhabi to the Akron Art Museum. At the same time, never have there been more calls for museums to work for social change, calls for the emergence of a new role for culture. As director of the Queens Museum, Laura Raicovich helped turn that New York municipal institution into a public commons for art and activism, organizing high-powered exhibitions that were also political protests. Then in January, 2018, she resigned, after a dispute with the Queens Museum board and city officials became a public controversy - she had objected to the Israeli government using the museum for an event featuring vice president Mike Pence. In this book, Raicovich explains some of the key museum flashpoints, and she also provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding capitalist values. And she suggests how museums can be reinvented to serve better, public ends."--Dust jacket
- Biography type
- contains biographical information
- Cataloging source
- UKMGB
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
Context
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bates.edu/resource/V6eKMZywcOw/" typeof="CreativeWork http://bibfra.me/vocab/lite/Work"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bates.edu/resource/V6eKMZywcOw/">Culture strike : art and museums in an age of protest</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bates.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.bates.edu/">Bates College</a></span></span></span></span></div>