Ballet -- Study and teaching
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The concept Ballet -- Study and teaching represents the subject, aboutness, idea or notion of resources found in Bates College.
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Ballet -- Study and teaching
Resource Information
The concept Ballet -- Study and teaching represents the subject, aboutness, idea or notion of resources found in Bates College.
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- Ballet -- Study and teaching
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- Approches somatiques et apprentissage des gestes techniques artistiques, 1, Pirouettes et tours en l'air
- Balanchine Foundation Video Archives, Frederic Franklin and Maria Tallchief recreating The Gypsy pas de deux from Le Baiser de la Fee(1940) with Vida Brown
- Balanchine Foundation Video Archives, Frederic Franklin recreating The Bride and Bridegroom pas de deux from Le Baiser de la Fee (1940), with Maria Tallchief and Vida Brown
- Balanchine Foundation Video Archives, Gloria Govrin coaching Coffee variation from George Balanchine's The nutcracker, Hippolyta from A midsummer night's dream, solos from the first movement, Brahms Schoenberg quartet
- Balanchine Foundation Video Archives, Maria Tallchief coaching ballerina variation, 1st movement, from Symphony in C
- Balanchine Foundation Video Archives, Maria Tallchief coaching excerpts from Firebird and Orpheus (Firebird Berceuse, Eurydice's solo)
- Balanchine Foundation Video Archives, Maria Tallchief coaching excerpts from Pas de Dix (ballerina variation, excerpt from finale)
- Balanchine Foundation Video Archives, Patricia Wilde coaching excerpts from Raymonda Variations (2 ballerina variations, pas de deux)
- Balanchine Foundation Video Archives, Patricia Wilde coaching excerpts from Square Dance (pas de deux from 1st movement, excerpts from 'girls dance', finale)
- Balanchine Foundation video archives : Pas de deux (ballerina solo), Maria Tallchief coaching "Sanguinic" variation from The four temperaments and Sylvia
- Balanchine Foundation video archives, Allegra Kent coaching excerpts from Bugaku
- Balanchine Foundation video archives, Allegra Kent coaching excerpts from La Sonnambula
- Balanchine Foundation video archives, Arthur Mitchell coaching the Pas de deux from Agon
- Balanchine Foundation video archives, Conrad Ludlow coaching two principal roles from Liebeslieder Walzer
- Balanchine Foundation video archives, Dame Alicia Markova recreating excerpts from Le chant du rossignol
- Balanchine Foundation video archives, Edward Villella coaching Tarantella
- Balanchine Foundation video archives, Frederic Franklin and Stanley Zompakos recreating excerpts from Mozartiana (1945)
- Balanchine Foundation video archives, Frederic Franklin coaching excerpts from The night shadow (later called La sonnambula)
- Balanchine Foundation video archives, Frederic Franklin recreating a male solo from Raymonda Act III (1946)
- Balanchine Foundation video archives, Helgi Tomasson coaching the male variation from Divertimento from Baiser de la Fee
- Balanchine Foundation video archives, II, Maria Tallchief coaching excerpts from Firebird
- Balanchine Foundation video archives, II, Maria Tallchief coaching principal roles from Pas de dix
- Balanchine Foundation video archives, Jacques d'Amboise coaching principal roles from Who cares?
- Balanchine Foundation video archives, Karin von Aroldingen coaching excerpts from Robert Schumann's Davidsbündlertänze
- Balanchine Foundation video archives, Maria Tallchief coaching excerpts from Apollo, and Swan Lake, with Paul Mejia
- Balanchine Foundation video archives, Maria Tallchief coaching principal roles from Allegro brillante
- Balanchine Foundation video archives, Maria Tallchief coaching the pas de deux from Scotch Symphony
- Balanchine Foundation video archives, Melissa Hayden coaching excerpts from Donizetti variations
- Balanchine Foundation video archives, Melissa Hayden coaching the pas de deux from Stars & stripes
- Balanchine Foundation video archives, Merrill Ashley coaching principal roles from Ballo della Regina
- Balanchine Foundation video archives, Merrill Ashley coaching principal roles from Tschaikovsky Piano concerto no. 2
- Balanchine Foundation video archives, Mimi Paul and John Clifford coaching principal roles from Valse fantaisie
- Balanchine Foundation video archives, Mimi Paul coaching the Sicilienne variation and the Nocturne ("walking") Pas de deux from 'Emeralds' from Jewels
- Balanchine Foundation video archives, Nancy Mann recreating 'Valse chromatique' from Reminiscence (1935)
- Balanchine Foundation video archives, Patricia McBride coaching excerpts from her role in Who cares?
- Balanchine Foundation video archives, Peter Martins and Kay Mazzo coaching Duo concertant
- Balanchine Foundation video archives, Peter Martins and Kay Mezzo coaching excerpts of principal roles from Stravinsky violin concerto
- Balanchine Foundation video archives, Suzanne Farrell coaching meditation
- Balanchine Foundation video archives, Suzanne Farrell coaching principal roles from Monumentum pro Gesualdo & Movements for piano and orchestra
- Balanchine Foundation video archives, Todd Bolender coaching 'Phlegmatic' variation from The four temperaments
- Balanchine Foundation video archives, Todd Bolender recreating Renard (1947) with James Jordan
- Balanchine Foundation video archives, Violette Verdy and Conrad Ludlow coaching Tschaikovsky Pas de deux
- Balanchine Foundation video archives, Violette Verdy and Conrad Ludlow coaching excerpts from 'Emeralds' from Jewels
- Balanchine Foundation video archives, Violette Verdy and Conrad Ludlow coaching the Pas de deux from Act II Divertissement from A midsummer night's dream
- Balanchine Foundation video archives, Violette Verdy and Helgi Tomasson coaching principal roles from La Source
- Balanchine Foundation video archives, Violette Verdy and Jean-Pierre Bonnefoux coaching excerpts from Liebeslieder Walzer
- Balanchine Foundation video archives, Violette Verdy and Jean-Pierre Bonnefoux coaching Sonatine
- Balanchine Foundation video archives, Yvonne Mounsey coaching the Siren's solo and the Pas de deux from Prodigal son
- Balanchine Foundation video archives, [Part 1], Edward Villella coaching excerpts of principal roles from Prodigal son
- Balanchine Foundation video archives, [Part 2], Edward Villella coaching excerpts of principal roles from Prodigal son
- Ballet Barre Stretch & Strength
- Ballet Barre for the Adult Absolute Beginner
- Basic ballet movement skills 1
- Basic ballet movement skills : sideways, backward, forward, turning, Lesson 3, The balancé
- Basic ballet, Volume 7, Center class "C," turning connecting movements [and] Center class "D," turning jumps
- Beginner ballet barre : work your supporting side, perfect your plié-releve
- Dance On, Maria Vegh
- Dance masterclass, Episode 1, Sir Fredrick Ashton with Antoinette Sibley, Anthony Dowell, Karen Paisey, Phillip Broomhead
- Dance masterclass, Episode 2, Jane Dudley
- Dance masterclass, Episode 3, Giselle with Peter Wright, Part 1
- Dance masterclass, Episode 4, Giselle with Peter Wright, Part 2
- Getting started in ballet : a parent's guide to dance education
- La barre à terre
- La danse par le disque : barre et milieu, Vol. 15
- La danse par le disque : barre et milieu, Vol. 2
- La danse par le disque : barre et milieu, Vol. 2
- La danse par le disque : barre et milieu, Vol. 5
- La danse par le disque : barre et milieu, Vol. 6
- La danse par le disque : barre et milieu, Vol. 7
- La danse par le disque : deuxième & troisième cycles, Vol. 18, Variations
- La danse par le disque, Vol. 1, Barre et milieu
- Living the dance
- The Balanchine essays, Arabesque
- The Balanchine essays, Part 1, The barre
- The Balanchine essays, Part 2, Jumps
- The Balanchine essays, Part 2, The barre
- The Balanchine essays, Passé and attitude
- The Balanchine essays, Pirouettes and other turns
- The Balanchine essays, Pointe technique & pas de bourrée
- The Balanchine essays, Port de bras & épaulement
- The Balanchine essays, Transfer of weight
- The Finis Jhung ballet technique : barrework for beginners, Level 1
- The Finis Jhung ballet technique : barrework, Level 3
- The Finis Jhung ballet technique : centerwork for beginners, Level 1
- The Finis Jhung ballet technique : intermediate barrework, Level 4
- The Finis Jhung ballet technique : stretch, turn-out, & extension, All levels
- The Finis Jhung ballet technique, Level 2
- The art of pointework, Level 4
- The boy ballet dancer
- The glory of the Kirov : c. 1920, Exercises
- The ten-minute ballet break : all levels
- The ten-minute stretch break (all levels)
- The thinking dancer : dancing in the center
- To Dance Like a Man
- TutuMuch
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bates.edu/resource/YHC8R42w7wI/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bates.edu/resource/YHC8R42w7wI/">Ballet -- Study and teaching</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bates.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.bates.edu/">Bates College</a></span></span></span></span></div>